![]() Position two: bridge and neck pickups wired in series Position two: bridge and neck pickups wired in parallel ![]() With a three-way selector and only two pickups, the American Elite Telecaster is simpler than the American Elite Stratocaster. Position five: bridge and middle pickups wired in series and out of phase, in parallel with neck pickup Position four: bridge and neck pickups wired out of phase, with a special tone capacitor Position three: middle and neck pickups wired in series Position two: bridge and middle pickups wired in series Position one: all three pickups wired in series When you engage the S-1 switch on the American Elite Strat, you have even more tone alternatives that you don't get to hear every day. Position four: middle and neck pickups wired in parallel Position two: bridge and middle pickups wired in parallel ![]() Here is the configuration when the S-1 switch is off: But with the S-1 switch, there is a new world of options. To answer the question more specifically, then, here’s what S-1 switching does on several Fender guitar models currently equipped with it: American Elite StratocasterĪs has been the case for decades, the five-way selector of the Stratocaster offers a slew of wiring configutations. S-1 switching has been around quite a while, after all-it first appeared in summer 2003 and was offered on several Fender instruments throughout that decade even on some Precision Bass and Jazz Bass models. That is, it doesn’t necessarily do the same things today that it did several years ago. More on all this shortly.Īnd not only does S-1 switching do different things on different instruments, but it has done different things at different times. S-1 switching on an American Elite Telecaster, for example, differs sharply from S-1 switching on a Classic Player Baja Telecaster. Not only that, but S-1 switching can vary from model to model within the same instrument type. ![]() S-1 switching on a Telecaster, for example, must be different from S-1 switching on a Stratocaster. That’s sensible enough, since different instruments have different pickups, different pickup configurations and different wiring schemes. The tricky thing about explaining S-1 switching is that it does different things on different instruments. Consequently, instruments with S-1 switching don’t look notably different than instruments without it. Further, S-1 switching does this without significantly altering the appearance of an instrument, because it’s a “push” switch built into a single volume or tone control knob. The short answer is that it gives you more tonal options by offering extra pickup-wiring configurations. What does an S-1 switch do on Fender instruments equipped with it? ![]()
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